Whenever I return to Bali, I make my pilgrimage to the royal court of justice in Klungkung, before heading towards the sacred volcano. It was here, for me, that it all began.  This forgotten town, once the royal capital, is the gateway into the province of Karangasem that lies far from the tourist invasion to the south.  Worlds apart.  Terraced ricefields, cool winds, thundering rivers, lush forested hills, all under the shadow of the towering volcano.  But this land holds much more than meets the eye.  It is a holy region.  It is here, under the island’s most sacred volcano, the Gunung Agung, (King of Mountains), that the secret soul of Bali still thrives.

Over twenty years ago, I arrived in Bali, innocent to the unseen forces at play.  My first explorations were filled with wonder at a culture where devotion, art and ritual blended together so effortlessly.  Then, one day, my eyes fell on the ceiling of the royal court of justice, the Kerta Gosa of Klungkung.  Above me were 144 spectacular paintings depicting the epic story of a mythic hero passing through strange worlds.

Intuitively, I was drawn to these images as I had been to Dante and his Divina Commedia years earlier, as a child growing up in Florence.  My curiosity took slowly the form of an obsession: each painting revealed a story of divine judgement and the fate of souls, the Underworld and Paradise.  Bhima, the hero of the story, belonged body and soul to the Mahabharata, the ancient Hindu epic. His quest was to enter the underworld to save the souls of his parents who had been wrongfully miscast. Two loyal servants accompanied him: Twalen and Merdah, the most beloved and popular characters of Balinese lore. Bhima became my guide into the punishments and fates that await sinners and saints in the afterlife, and taught me everything I know about the Balinese realm of the spirit.

Read more